The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelud...(展开全部)

The Liang dynasty (502-557) is one of the most brilliant and creative periods in Chinese history and one of the most underestimated and misunderstood. Under the Liang, literary activities, such as writing, editing, anthologizing, and cataloguing, were pursued on an unprecedented scale, yet the works of this era are often dismissed as "decadent" and no more than a shallow prelud...(展开全部)

作者简介：埃米·赫斯特（Amy Hest） 美国图画书作家，现居纽约。埃米说，她所创作的故事都是当她自己是个孩子的时候想要读到的。写作之余，埃米喜欢散步、骑自行车、看电影和读书。代表作有《晚安吻》《紫色上衣》《当杰西穿过大海》《给里欧写信》等。她曾三次荣获克里斯多夫奖。 绘者简介：珍妮·德斯蒙德（Jenni Desmond） 英国艺术家和插画家，新锐儿童图画书创作者。她毕业于英国的萨塞克斯大学，主修英语和艺术史，并于2006年获得学士学位，后又在安格利亚鲁斯金大学剑桥艺术学院学习，于2011年获得了儿童图书绘画专业硕士学位。 珍妮的作品有《跑得太快的斑马》《流星划过天空的夜晚》《艾尔的树》等。她使用颜料、墨水、蜡笔和拼贴手法进行创作，再用电脑扫描和编辑，尽力让她的画作悦目、漂亮和有趣。她的作品获得了2013年"一看再看"剑桥儿童图画书奖，也获颁英国国...(展开全部)

Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis....(展开全部)

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)

What is at stake in literature? Can we identify the fire that our stories have lost, but that they strive, at all costs, to rediscover? And what is the philosopher's stone that writers, with the passion of alchemists, struggle to forge in their word furnaces? For Giorgio Agamben, who suggests that the parable is the secret model of all narrative, every act of creation tenacious...(展开全部)

科拉莉•比克福德-史密斯：插画家、图书设计师，现在也是一位作家，毕业于英国雷丁大学印刷与图像传播学专业。她有很高的文学修养，所设计的图书广受赞誉，曾获得英国封面设计学院奖、《纽约时报》《Vogue》《卫报》等推荐，尤其是布封精装的“企鹅经典”系列，引领了图书装帧界的复古风。

From an award-winning designer comes a beautifully illustrated children’s story, a modern day classic that speaks to all ages. Once there was a Fox who lived in a deep, dense forest. For as long as Fox could remember, his only friend had been Star, who lit the forest paths each night. But then one night Star was not there, and Fox had to face the forest all alone and learns to...(展开全部)